Which POV Is Best for Romance Novels? Find the Voice That Makes Hearts Race

Why Point of View Matters in Romance

In romance novels, point of view (POV) is more than just a stylistic choice. It shapes how readers connect with characters, how they experience tension, and how deeply they fall in love (or get their hearts crushed, y’know). The POV you choose literally changes how the love story hits.

There’s no universal “best POV,” but yeah—some work better than others depending on the vibe you want. Sweet and slow-burn? Angsty and dramatic? Steamy and fast-paced? The POV sets the tone.

The Main POV Options in Romance (and Their Vibes)

First Person – Deep Feels, Big Drama

This is the “I” POV, and it's super popular in modern romance. It gives readers a front-row seat inside the protagonist’s head. You feel what they feel. You obsess when they obsess. It’s raw, emotional, and honestly, a bit addictive when done right.

Example:
“I hated him. Or maybe I just hated how much I wanted him, even when I shouldn’t.”

Classic. We've all been there.

Pros:

• Intimacy on max

• Great for inner turmoil, longing, or pining

• Readers often feel more connected to the narrator

Cons:

• Limited to one perspective (unless you alternate)

• Can feel claustrophobic if not well-paced

Dual First Person – Two Sides of the Love Story

Now we’re talking. This POV jumps between the two main characters—usually the romantic leads. Super common in enemies-to-lovers or slow-burn romances.

You get both people’s emotional journeys, their misunderstandings, and those delicious “if only they knew what I was thinking” moments.

BUT. The voices need to feel distinct, or it gets confusing real fast.

My take?

Honestly, this one’s probably my favorite. There’s nothing like seeing both people fall for each other at different speeds and in different ways. It’s juicy, okay?

Third Person Limited – Classic, Flexible, Understated

This POV uses “he” or “she,” but sticks closely to one character’s thoughts at a time. Think of it like watching a movie from one person’s shoulder. It’s slightly more distant than first person, but still personal enough.

Example:
“She couldn’t stop thinking about the kiss. Stupid. It meant nothing. Probably.”

Used in everything from sweet contemporary to historical romance. Jane Austen, anyone?

Pros:

• Feels timeless

• Easier to shift between characters (if done in sections)

• Less emotional overload for readers who like a bit of distance

Cons:

• Can lack urgency compared to first person

• Harder to create that “I am her” feeling

Third Person Omniscient – Rare in Modern Romance

This one’s tricky. It jumps into the heads of everyone, sometimes in the same scene. Think old-school storytelling. It can feel very literary, but also disjointed if not handled carefully.

Honestly? It’s rare in modern romance for a reason. Readers today crave closeness and emotional immersion. This POV puts a bit of a wall up.

Still, some authors make it work beautifully. Especially in multi-generational or ensemble love stories.

So... Which POV Is Actually the Best?

It depends on your story’s mood and characters

Ask yourself:

• Do I want readers inside the character’s heart? → Go first person.

• Do I need to show both sides of a messy miscommunication? → Dual POV.

• Do I want a more traditional, storytelling feel? → Third person limited.

• Do I have a sprawling, many-character romance saga? → Maybe third omniscient.

What the market’s saying

Right now, first person dual POV is dominating indie romance, especially in contemporary, dark romance, and new adult. It’s emotional, immersive, and perfect for Kindle readers who binge a whole book in one night.

But! Third person limited is still strong in historical and literary romance. So don’t ditch it just because it’s not trending. It has staying power.

Final Thoughts: POV Is Your Romance’s Secret Weapon

The best POV for your romance novel is the one that lets your characters breathe. The one that gives readers the closest seat to the heartbreak, the yearning, the butterflies, the tension so thick you can cut it with a metaphorical knife.

So whether it’s “I hated him” or “She couldn’t deny the spark,” make it honest, make it intimate, and above all... make us fall in love too.

Is 165 cm normal for a 15 year old?

The predicted height for a female, based on your parents heights, is 155 to 165cm. Most 15 year old girls are nearly done growing. I was too. It's a very normal height for a girl.

Is 160 cm too tall for a 12 year old?

How Tall Should a 12 Year Old Be? We can only speak to national average heights here in North America, whereby, a 12 year old girl would be between 137 cm to 162 cm tall (4-1/2 to 5-1/3 feet). A 12 year old boy should be between 137 cm to 160 cm tall (4-1/2 to 5-1/4 feet).

How tall is a average 15 year old?

Average Height to Weight for Teenage Boys - 13 to 20 Years

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Is 5.7 a good height for a 15 year old boy?

Generally speaking, the average height for 15 year olds girls is 62.9 inches (or 159.7 cm). On the other hand, teen boys at the age of 15 have a much higher average height, which is 67.0 inches (or 170.1 cm).

Can you grow between 16 and 18?

Most girls stop growing taller by age 14 or 15. However, after their early teenage growth spurt, boys continue gaining height at a gradual pace until around 18. Note that some kids will stop growing earlier and others may keep growing a year or two more.

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